Here and Elsewhere
1976
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Representation score: 7.0 out of 10
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Red Army/PFLP: Declaration of World War
Representation Score
4.9/10
Fair
1971
Director
Kōji Wakamatsu, Masao Adachi
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Red Army/PFLP: Declaration of World War is a film that emphasizes international solidarity over traditional journalism. It effectively challenges Western dominance and centers non-Western perspectives. However, it focuses narrowly on geopolitical struggles and militant ideologies, leaving little room for diverse representation. The film does not engage with LGBTQ+ identities or gender hierarchies within the revolutionary movements it documents. Ultimately, it is a powerful tool for anti-imperialist storytelling but remains limited in its scope of representation.
Category Breakdown
Does Red Army/PFLP: Declaration of World War have LGBTQ+ representation?
The film does not show any visible or explicit depictions of LGBTQ+ identities or non-cisgender gender expressions.
How does Red Army/PFLP: Declaration of World War portray gender?
Women are present in the revolutionary cells, but the film does not focus on their roles or the power dynamics between genders.
How racially and ethnically diverse is Red Army/PFLP: Declaration of World War?
The documentary highlights Palestinian and Japanese Red Army resistance, presenting a non-Western coalition as the main characters.
How does Red Army/PFLP: Declaration of World War represent religion and culture?
This work is a strong example of anti-imperialist storytelling. It focuses on post-colonial themes and the voices of those resisting Western influence.
Does Red Army/PFLP: Declaration of World War include disability representation?
There is no significant depiction of physical or neurodivergent disabilities in the film.
Present on Screen
- Focuses on non-Western perspectives through Palestinian and Japanese revolutionary movements.
- Challenges Anglo-centric views and Western dominance.
- Offers a deep anti-imperialist narrative through a post-colonial lens.
Limited or Absent
- Does not include visible or explicit representations of LGBTQ+ identities.
- Does not explore the roles of women or challenge gender hierarchies.
- Does not address physical or neurodivergent disabilities.
Official Synopsis
On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and the Popular Front for the Liberation of Palestine to shoot a newsreel film promoting the Palestinian resistance. Conceived as a ‘declaration of world war’ that implicates us all, the directors capture the everyday banality of military training and preparation exercises for imminent battle.
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