
Sleep
1964

Representation Score
Minimal
1965
Director
Andy Warhol
Runtime
479 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Empire is a work of pure formalist experimentation that removes character, dialogue, and plot. Since the film consists of a single stationary shot of the Empire State Building, it lacks the human subjects necessary for traditional identity-based analysis. While the film does not engage with identity politics or underrepresented groups, it disrupts typical Western media consumption habits. Its low diversity score reflects the film's extreme minimalism rather than a lack of progressive intent.
Category Breakdown
Since the film contains no human characters, there is no depiction of gender identity, sexual orientation, or LGBTQ themes.
The film operates outside of gendered social hierarchies. Without human subjects, there is no engagement with masculinity or femininity.
The focus is solely on the architecture, so there is no analysis of racial or ethnic representation among the characters.
The film rejects Western narrative traditions and commercial imperatives of mainstream cinema. It emphasizes the mundane over dramatic pacing.
The film does not depict any individuals, so it does not engage with neurodivergence or physical disability.
Present on Screen
Limited or Absent
Official Synopsis
Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.

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1977
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