
Ende schlecht, alles gut
1934

Representation Score
Limited
1933
Director
Enrique Susini
Runtime
60 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Los Tres Berretines is a period-specific domestic comedy that prioritizes the stability of the family institution. The plot revolves around the tension between individual hobbies and the preservation of a traditional family business. The film reflects the conservative social hierarchies of the early 1930s. It focuses on professional roles and the fulfillment of familial duties rather than exploring multiple aspects of identity or underrepresented individuals. Ultimately, the work serves as a reflection of its historical context, centering on traditionalist social frameworks and the economic concerns of a Buenos Aires family.
Category Breakdown
The film does not include any characters with non-straight or non-cisgender identities. It reflects the social norms of 1933 without challenging the assumption that everyone is straight or cisgender.
The story centers on a traditional family structure where the father's concerns are paramount. It emphasizes the importance of professional roles and the expectation for sons to maintain family order.
The narrative appears to center on a typical domestic unit of the era. There is no evidence of a diverse or non-Anglo-Saxon majority cast.
The film emphasizes traditional Western values such as family stability and professional responsibility. It serves as a cautionary tale about the consequences of neglecting one’s duties.
There is no mention of characters with visible or invisible disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

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