
Happiness
1965

Representation Score
Limited
1964
NRDirector
Jean-Luc Godard
Runtime
95 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Godard’s work serves as a deconstruction of mid-century domesticity. By using jump cuts and a fragmented narrative structure, the film shifts focus from external events to the internal thoughts of the female protagonist. This style challenges the sanctity of traditional social institutions. The film’s progressive value lies in its radical approach to gender and cultural norms. It avoids providing moral closure or reinforcing Western values of domestic stability, prioritizing the protagonist's subjective experiences over societal norms. However, the absence of racial and disability representation significantly impacts the overall score. The film primarily explores a white, middle-class European experience.
Category Breakdown
The film does not include any LGBTQ+ characters or representations of non-straight relationships. The story focuses solely on the protagonist's interactions within straight relationships.
The film challenges traditional gender roles by emphasizing Corinne's independence and existential detachment. She rejects the submissive wife stereotype, viewing her infidelity as an expression of personal freedom.
The cast is predominantly white, reflecting the specific Parisian setting of the time. It centers on a middle-class European experience without much diversity.
The narrative uses moral relativism to question traditional social institutions. It avoids promoting a single religious viewpoint, presenting the breakdown of marriage as a valid existential choice.
There are no visible or invisible disabilities depicted in the film.
Present on Screen
Limited or Absent
Official Synopsis
A superficial woman finds conflict choosing between her abusive husband and her vain lover.

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