
Happiness
1965

Representation Score
Limited
1964
NRDirector
François Truffaut
Runtime
119 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Truffaut’s film is a sophisticated exploration of social norms, emphasizing subjective truth and individual impulses over rigid social structures. While the film lacks demographic diversity related to race and LGBTQ+ identity, it successfully subverts traditional Western institutions. It presents the domestic sphere as a place of emotional disconnect and systemic vulnerability. The film offers a nuanced view of the breakdown of Western domestic norms through moral relativism, challenging the sanctity of traditional family structures.
Category Breakdown
The film focuses solely on heterosexual relationships and does not include any characters with non-traditional gender identities or critiques of heterosexuality.
The narrative challenges traditional gender roles by depicting the husband as emotionally unstable rather than a steady leader. It questions the idea of the masculine role as a provider.
The film features a cast that is homogeneous and reflective of its 1964 Parisian setting. It does not include diverse ethnic representation or actors of different backgrounds.
The film embraces moral relativism by prioritizing personal desires over religious or societal norms. It portrays the breakdown of traditional domestic norms as a complex human experience.
No visible or invisible disabilities are central to the narrative or character development.
Present on Screen
Limited or Absent
Official Synopsis
Pierre Lachenay is a well-known publisher and lecturer, married to Franca and father of Sabine. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stay away from her.

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