The film lacks explicit focus on non-cisnormative identities or same-sex intimacy. The narrative centers instead on the friction between women and existing patriarchal structures.

Women are portrayed as disruptive forces rather than passive subjects. The film uses the 'witch' archetype to challenge traditional femininity and dismantle submissive female tropes.

The casting reflects mid-20th-century European demographics. While it avoids whitewashing by grounding stories in local socioeconomic realities, it lacks intersectional racial diversity.

The anthology critiques traditional Western institutions by framing religious and state authority as systemic failures. It explores the tension between individual agency and social conformity.

Physical vulnerability, such as an injured man, serves as a plot catalyst rather than a nuanced exploration of disability. There is no dedicated focus on neurodivergence.