You are here:
The Clock Store

The Clock Store

1931

NR

Director

Wilfred Jackson

Runtime

7 minutes

Average Rating

No ratings yet

Synopsis

The various clocks and watches in a clock store dance, ring alarms musically, and otherwise entertain us in an after hours presentation.

Where to Watch

Diversity & Representation

Overall Score

1.8/10

Minimal


Category Breakdown

LGBTQ+ Representation

Minimal

The film focuses entirely on inanimate clocks and watches. There are no depictions of queer identity or same-sex intimacy.

Gender Representation

Limited

Characters are mechanical objects driven by musical rhythm. The film lacks female-driven agency or any subversion of traditional gender roles.

Racial & Ethnic Diversity

Minimal

The cast consists of non-human entities in a retail setting. This avoids human racial stereotyping but lacks any representation of diverse ethnic identities.

Religious & Cultural Diversity

Limited

The short serves as a whimsical novelty focused on rhythmic stability. It does not engage with religious themes or systemic cultural critiques.

Disability Representation

Minimal

The narrative centers on synchronized mechanical movements. There is no portrayal of physical, sensory, or neurodivergent traits.

Strengths

  • Avoids the pitfalls of human racial stereotyping by using non-human characters.
  • Focuses on technical musicality and rhythmic innovation.

Areas for Improvement

  • Lacks any intentional inclusion of diverse ethnic or cultural identities.
  • Provides no representation of gender, disability, or LGBTQ+ identities.
  • Fails to engage with any meaningful social or systemic commentary.

AI Analysis

The Clock Store is a technical exercise in rhythmic animation rather than a character-driven narrative. By centering the story on anthropomorphic clocks and watches, the film bypasses human social dynamics entirely. While the use of inanimate objects avoids the harmful racial caricatures often found in early animation, it also results in a complete absence of human representation. The film prioritizes aesthetic pleasure and musical synchronization over any form of social or cultural commentary. Ultimately, the work reflects the non-subversive entertainment standards of the 1930s. It functions as a pleasant, orderly novelty that reinforces traditional stability rather than challenging any established social hierarchies.

How are these scores produced? →

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.