
Murder at Glen Athol
1936

Representation Score
Minimal
1931
PassedDirector
Frank R. Strayer
Runtime
69 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Murder at Midnight operates within the conventions of early 1930s mystery films, focusing on the rigid social hierarchies of the time. The story centers around a wealthy patriarch and a professional class, resulting in a homogeneous demographic typical of the genre during that era. The narrative lacks complexity in representing multiple aspects of identity, as the characters and institutions reinforce traditional authority and class structures. The story structure prioritizes a conventional mystery framework without challenging social norms. Overall, the film reflects the conservative storytelling and demographic limitations of the pre-Code era, lacking diverse representation or systemic critique.
Category Breakdown
The film follows the traditional standards of early 1930s cinema and does not depict any non-straight or non-cisgender identities. There are no representations of same-sex relationships or identities outside the heterosexual norm.
The film portrays traditional gender roles where male characters lead the investigation, while a female character is central to the initial event but has limited influence on the outcome.
The film's setting suggests a homogeneous society typical of early Hollywood mysteries. There are no characters from non-Anglo-Saxon backgrounds or indications of racial diversity.
The story relies on established Western institutions like the police and legal system to solve the mystery. It emphasizes social order without critiquing systemic issues.
The film does not feature any characters with visible or invisible disabilities. There is no mention of neurodivergence or physical impairments.
Present on Screen
Limited or Absent
Official Synopsis
Wealthy Mr. Kennedy shoots his secretary, Channing, during a parlor game, but it turns out the gun was loaded with real bullets. Luckily, criminologist Phillip Montrose is on hand to help the police. When Kennedy quickly ends up dead as well, the police think it's a tidy murder-suicide, but the family lawyer knows of a letter that voiced Kennedy's suspicions about someone who was out to get him. Soon, the cops are on the trail of a ruthless and clever killer who is one step ahead of even Montrose.

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