The film focuses on geopolitical and ideological shifts rather than identity politics. There is no explicit evidence of non-cisnormative gender identities or same-sex romantic arcs driving the central narrative.

The story centers female agency by following sumo athletes navigating a restrictive patriarchal era. These women act as active participants in history rather than passive observers of post-war reconstruction.

The narrative explores the friction between US military personnel and Japanese citizens. It avoids monolithic depictions, focusing instead on the complex power dynamics between the colonizer and the colonized.

The film offers a sophisticated critique of Western hegemony and the loss of indigenous sovereignty. It portrays the collapse of imperial structures and the imposition of Western democratic ideals.

There is no central depiction of neurodivergence or physical disability driving the plot. While the era implies widespread hardship, these elements are not used as primary vehicles for character agency.