The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative narratives. It focuses on the binary political divisions of the era, which limits queer visibility.

The story disrupts traditional hierarchies by centering a female protagonist who joins the Salò militia. This provides a woman with political agency and ideological combat roles.

Casting reflects the demographic realities of post-WWII Italy. While not featuring a non-white majority, the focus on internal political fractures moves away from a monolithic identity.

The narrative embraces moral relativism by depicting a family split by opposing political factions. It intentionally deconstructs the traditional 'good vs. evil' dichotomy found in war cinema.

There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities in this film.