
Cria!
1976

Representation Score
Good
1974
Director
Carlos Saura
Runtime
107 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Carlos Saura’s drama is a sophisticated critique of mid-20th century Spanish society. It uses a non-linear structure to intertwine the trauma of the Civil War with domestic tensions, deconstructing traditional institutions through metaphor. The film excels at challenging gender hierarchies and religious morality. By presenting the traditional family as a site of repression, it prioritizes individual ability to act and psychological truth over institutional conformity. However, the work is limited by its historical and geographic specificity. The lack of LGBTQ+ or non-straight representation reflects the era's social homogeneity and the narrative's focus on internal psychological struggles.
Category Breakdown
The film focuses on repressed sexual tension between cousins within a heterosexual framework. It doesn't explicitly include non-straight identities, but it explores the psychological impact of forbidden desires.
Angelica is shown with psychological independence rather than through submissive stereotypes. The film highlights the restrictive nature of domestic life and how women cope with patriarchal authority and societal expectations.
The cast is uniform, reflecting the historical and rural setting of Spain. The film emphasizes internal psychological landscapes rather than external diversity or ethnic differences.
Saura critiques traditional Spanish institutions and the religious norms of the Franco era. Using the family unit and the Civil War, the film questions established social orders.
There are no significant visible or invisible disabilities that serve as central plot devices. While the film examines psychological neuroses, these are viewed as results of systemic repression rather than stereotypes.
Present on Screen
Limited or Absent
Official Synopsis
When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present.

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