The film operates within a strictly heteronormative framework. It focuses entirely on male-driven power dynamics with no presence of non-cisnormative identities.

The narrative is almost exclusively male-centric, adhering to a rigid gender hierarchy. Women are relegated to the periphery as domestic figures lacking plot agency.

The cast is homogeneous, reflecting the specific socio-cultural context of post-war Hiroshima. It focuses on internal Japanese social stratifications rather than intersectional casting.

The film excels by deconstructing the 'noble Yakuza' trope. It replaces myths of honor with a nihilistic reality, critiquing corrupt traditional and capitalist structures.

There are no significant depictions of visible or invisible disabilities. Characters are defined solely by their physical capacity for violence and survival.