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Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean

Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean

Representation Score

3.9/10

Limited

1924

Director

Dziga Vertov

Runtime

17 minutes

Average Rating

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New Showbiz Analysis

Dziga Vertov’s newsreel serves as a tool for social reconstruction, prioritizing collective reality over individualist storytelling. It challenges Western capitalist hierarchies by celebrating state-led, secular, and industrial advancement. While the film makes strides in depicting the emancipation of women and a unified proletariat, it remains limited by its focus on physical vigor and industrial utility, which excludes depictions of disability and non-binary gender identities. Ultimately, the work is a powerful example of ideological filmmaking that replaces traditional narrative clichés with a celebration of the machine-eye and the collective worker.

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Category Breakdown

Does Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean have LGBTQ+ representation?

Minimal

The film focuses on a strictly materialist and industrial framework, with no depiction of non-binary gender identities or same-sex relationships.

How does Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean portray gender?

Fair

The film highlights the emancipation of women in the USSR by showcasing peasant and worker women, but often frames them based on their utility to the state rather than as individuals.

How racially and ethnically diverse is Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean?

Fair

The newsreel captures a diverse working class, emphasizing the integration of various regional identities into a cohesive Soviet identity. It prioritizes class unity over specific ethnic distinctions.

How does Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean represent religion and culture?

Excellent

The film celebrates the triumph of the collective and secular, materialist philosophy. It portrays the Soviet technological machine as a liberating force, with no significant religious influence.

Does Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean include disability representation?

Minimal

The film emphasizes the physical vigor of workers and explorers, with no depiction of disability as a lived experience or plot device.

Present on Screen

  • Documents the emancipation of peasant and worker women within the Soviet social order.
  • Promotes a secular, materialist worldview that rejects religious influence in favor of industrial progress.
  • Fosters a sense of class-based solidarity by integrating diverse regional identities into a unified proletariat.

Limited or Absent

  • Does not include any representation of non-binary gender identities or same-sex relationships.
  • Does not depict disability, focusing instead almost exclusively on the physical vigor of workers.
  • Frames women primarily through their utility to the state rather than as individual agents.

Official Synopsis

Dziga Vertov-directed Soviet newsreel covering: Connecting city and country, south and north, summer and winter, peasant women and worker women / Emancipation of women in the USSR

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