The film lacks explicit depictions of same-sex intimacy or non-cisnormative identities. However, the convent setting creates a concentrated environment of female experience and shared trauma.

The narrative disrupts traditional hierarchies by centering entirely on female agency. The plot is driven by women's decisions and spiritual pursuits rather than reactions to male-driven conflicts.

The cast appears to reflect the demographic homogeneity of 1943 France. There is no evidence of a multi-ethnic or diverse cast within the narrative.

The film critiques state and judicial authority by framing a murderer's search for sanctuary. It explores moral relativism through a character who rejects institutional rehabilitation.

There is no mention of characters navigating physical, sensory, or neurodivergent disabilities.