The film lacks explicit LGBTQ+ characters or same-sex romantic pairings. It focuses on the tension between sanctity and carnal impulse rather than queer identity.

Suzanne demonstrates agency by resisting a system designed to strip her of autonomy. The film critiques gender hierarchies through the systemic harassment women face.

The cast is predominantly white and European to reflect its historical setting. It does not feature diverse ethnic ensembles or race-bent casting.

The narrative deconstructs the Church, portraying religious authority as a mechanism for oppression. It prioritizes secular autonomy over institutional dogma and fanaticism.

The story explores psychological instability and mental health struggles. However, these elements often serve as plot drivers toward madness rather than lived experiences.