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Plagues And Puppy Love

Name: Plagues And Puppy Love
Director: Larry Semon
Released: 1917
Duration: 9 min

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Representation Score

1.3/10

Minimal

1917

Director

Larry Semon

Runtime

9 minutes

Average Rating

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New Showbiz Analysis

Plagues And Puppy Love is a classic example of the 1917 silent slapstick era. It follows the Keystone-style farce format, emphasizing physical humor and established comedic archetypes over deeper narrative exploration or social complexity. The film adheres closely to the conventional social hierarchies of its time. It relies on traditional romantic clichés where the female lead is a prize for various male characters, reinforcing strict gender roles. While ethnic identifiers are present, they seem to be used for broad characterization rather than nuanced representation. The film reflects the homogeneous and traditional cinematic structures of its era.

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Category Breakdown

Does Plagues And Puppy Love have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or representations of non-straight relationships. The storyline follows a traditional romantic pursuit typical of early 20th-century films.

How does Plagues And Puppy Love portray gender?

Limited

Florence Curtis is portrayed as a passive object of pursuit by several male characters. The comedy relies heavily on physical antics driven by male characters.

How racially and ethnically diverse is Plagues And Puppy Love?

Limited

The presence of a 'moustachioed Italian' character suggests the use of ethnic identifiers. These likely serve as broad caricatures common to the Keystone-style farces of this era.

How does Plagues And Puppy Love represent religion and culture?

Limited

The film upholds standard social dynamics and Western slapstick humor. It does not include any revisionist themes or non-traditional cultural perspectives.

Does Plagues And Puppy Love include disability representation?

Minimal

There are no characters with visible or invisible disabilities mentioned in the narrative.

Present on Screen

Offers a clear example of the early 20th-century Keystone-style comedic archetype.

Limited or Absent

Female characters lack significant influence and remain passive objects of pursuit.
Ethnic identifiers are used for broad caricatures rather than nuanced representation.
Does not include diverse social perspectives or multi-layered identities.

Official Synopsis

Larry Semon produces his take on a typical Keystone farce, the flirting-in-the-park routine, where pretty Florence Curtis is pursued by four typical Keystone types: the wealthy geezer, the moustachioed Italian, the derby-wearing tough and, of course, the big-footed cop… and here comes Larry, if not to save the day, at least to make us laugh.

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