
Shchors
1939

1971
Director
Viktor Tregubovich
Runtime
172 minutes
Average Rating
No ratings yetSynopsis
A chronicle of life in a small village in the Baikal Region on the eve of World War I and at the time of the October Revolution. The age-old foundations are crumbling, the process of social stratification is underway and, as a result, some people go to defend the revolution, and others - to fight against it. The main hero is the young Cossack Roman Ulybin. At first, this carefree daredevil is preoccupied only with one problem: whether his sweetheart, Dashutka, is to marry him or a merchant’s son, Alyoshka. Roman is killing time fist-fighting with his rival. But little by little, the young man realizes that the world around him has changed, that people are fighting for equality and social justice, and, being a real Cossack, he can’t remain on the sidelines…
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film adheres to 1972 Soviet cinematic norms. It lacks non-cisnormative identities or same-sex narratives, focusing instead on traditional heteronormative courtship.
Gender Representation
Women are depicted as participants in the era's political volatility. While the central romance follows conventional patterns, female characters move beyond purely domestic roles.
Racial & Ethnic Diversity
The setting utilizes the diverse ethnic landscape of the Baikal region. It presents a multi-ethnic frontier caught in the friction of the Russian Civil War.
Religious & Cultural Diversity
The narrative provides a progressive critique of traditional institutions and the merchant class. It celebrates the dismantling of oppressive, capitalist social orders.
Disability Representation
There is no discernible representation of visible or invisible disabilities within the film's narrative or historical context.
Strengths
Areas for Improvement
AI Analysis
Dauria is a historical drama that prioritizes the deconstruction of class-based power structures. It uses the upheaval of the Baikal region to examine the collapse of traditional hierarchies through a revolutionary lens. The film excels in its cultural critique, framing the struggle for social justice as a necessary evolution. It successfully portrays a multi-ethnic landscape, using regional identity to mirror the broader class struggle. However, the film lacks representation for LGBTQ+ individuals and people with disabilities. The narrative focus remains strictly on heteronormative romance and the socioeconomic shifts of the early 20th century.

1939

1972

1929

1928

1928

1931

1961

1937

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1939

1960
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