
The Ouija Exorcism
2015

1975
Not RatedDirector
Franco Lo Cascio, Angelo Pannacciò
Runtime
88 minutes
Average Rating
No ratings yetSynopsis
An archaeology student photographs a mysterious naked woman by a waterfall, unaware that she is a female demon called Haggia, who soon takes possession of him via a cursed amulet.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks any evidence of non-cisnormative identities or same-sex intimacy. The narrative focuses strictly on a supernatural possession involving a male student and a female demon.
Gender Representation
A female demon named Haggia serves as the primary driver of the plot. While she possesses significant agency, this power is framed as a supernatural threat rather than a subversion of gender hierarchies.
Racial & Ethnic Diversity
As a 1975 Italian production, the film likely reflects the homogeneous European demographics of its era. There is no indication of significant non-white representation in the story.
Religious & Cultural Diversity
The story utilizes ancient curses and mysticism to move beyond singular Christian morality. However, it does not explicitly critique Western institutions or traditional social structures.
Disability Representation
There is no evidence of characters with visible or invisible disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
The Return of the Exorcist is a product of mid-1970s Italian genre cinema, prioritizing visceral horror over social deconstruction. The film relies on established supernatural tropes that reflect the demographic and thematic constraints of its time. While the female demon Haggia provides a central source of agency, this role is tied to a traditional horror archetype where a feminine force victimizes a male protagonist. The production lacks intentionality regarding intersectional storytelling or progressive social frameworks. Ultimately, the film functions as a standard period piece. It maintains the homogeneous casting and mythological focus typical of European horror from this era, offering little in the way of modern diversity.

2015

1974

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