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The Ouija Exorcism

The Ouija Exorcism

2015

R

Director

Nick Slatkin

Runtime

87 minutes

Average Rating

No ratings yet

Synopsis

In 1985 an exorcist locked a demonic spirit inside a Ouija board. Now, when his grandson stumbles upon the board game, the evil is unleashed and free to torment those responsible for its banishment.

Where to Watch

Diversity & Representation

Overall Score

3.2/10

Limited


Category Breakdown

LGBTQ+ Representation

Limited

The film lacks non-cisnormative identities or narratives that challenge heteronormativity. Character dynamics focus on supernatural conflict rather than identity exploration.

Gender Representation

Fair

The story follows traditional horror lineages centered on familial legacies. It offers no evidence of subverting gender hierarchies or non-traditional archetypes.

Racial & Ethnic Diversity

Limited

The 1985 setting and family-focused premise suggest a potentially homogeneous lineage. There is no visible evidence of intersectional casting.

Religious & Cultural Diversity

Limited

The plot relies on traditional religious iconography and spiritual hierarchies. It reinforces conventional morality rather than critiquing institutional structures.

Disability Representation

Minimal

There is no discernible portrayal of neurodivergence, physical disabilities, or mental health conditions as central narrative drivers.

Strengths

  • The film maintains a consistent focus on established supernatural horror genre conventions.

Areas for Improvement

  • The narrative lacks intersectional character development and diverse casting.
  • There is no subversion of traditional gender or religious hierarchies.
  • The film fails to include representation for neurodivergence or physical disabilities.

AI Analysis

The Ouija Exorcism operates strictly within the confines of standard low-budget horror tropes. The narrative architecture prioritizes supernatural tension and familial legacy over any meaningful social or identity-based exploration. Because the film adheres to conventional genre expectations, it lacks the complexity required for intersectional character development. The focus remains on a traditionalist framework of religious intervention and demonic conflict. Ultimately, the production shows no intentional effort to disrupt social hierarchies or introduce diverse perspectives, resulting in a narrow, homogeneous viewing experience.

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