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The Exorcist

The Exorcist

Representation Score

6.0/10

Good

2022

Director

Adrián García Bogliano

Runtime

101 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film succeeds in diversifying the horror genre by centering a female protagonist in a position of high-stakes authority. By moving away from Western, patriarchal norms, it provides a fresh perspective on the possession subgenre. Its strength lies in its Latin American cultural positioning and its willingness to challenge religious certainty. The narrative structure favors regional specificity over traditional Hollywood clichés. However, the film lacks clarity regarding LGBTQ+ and disability representation. While themes of bodily autonomy are present, the specific portrayal of these identities remains unconfirmed.

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Category Breakdown

Does The Exorcist have LGBTQ+ representation?

Fair

The film focuses on religious and supernatural conflicts. There are no explicit mentions of LGBTQ+ characters or non-straight relationships.

How does The Exorcist portray gender?

Good

Ophelia, a young nun, serves as a central figure of spiritual authority. This placement disrupts traditional horror clichés by centering female competence and leadership over passive victimhood.

How racially and ethnically diverse is The Exorcist?

Good

Set in San Ramon, the film offers a non-Anglo-Saxon perspective. It provides a cultural lens that deviates from Hollywood-centric possession narratives.

How does The Exorcist represent religion and culture?

Good

The story explores the complexities of religious institutions and subjective morality. It suggests a deconstruction of institutional authority through the chaos of possession.

Does The Exorcist include disability representation?

Minimal

The plot involves a pregnant woman in physical distress and a state of possession. It is unclear if these elements represent disability with ability to act or serve as plot devices.

Present on Screen

  • Features a female lead, Ophelia, who occupies a position of spiritual and intellectual authority.
  • Provides a significant departure from Hollywood-centric norms through its Latin American setting.
  • Challenges traditional religious certainty and institutional authority through its narrative structure.

Limited or Absent

  • Lacks explicit representation or mention of LGBTQ+ characters and identities.
  • Provides insufficient evidence regarding the ability to act or portrayal of disability.
  • The narrative focus remains heavily centered on religious and supernatural conflict.

Official Synopsis

Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.

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