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A Robbery In... Style

Name: A Robbery In... Style
Director: Yefim Gamburg
Released: 1978
Duration: 20 min

Representation Score

5.4/10

Fair

1978

Director

Yefim Gamburg

Runtime

20 minutes

Average Rating

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New Showbiz Analysis

A Robbery In... Style is a sophisticated animated film that uses a fragmented, multi-perspective structure to critique cinematic archetypes. By parodying crime films from four different nations, the work avoids a monolithic narrative and instead embraces cultural plurality. However, the film's reliance on traditional gangster clichés limits its impact on gender and LGBTQ+ representation. While the international framework is a strength, the lack of visible diverse identities prevents a higher score. Ultimately, the film succeeds as a cross-cultural critique, using satire to deconstruct established institutional norms and national stereotypes.

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Category Breakdown

Does A Robbery In... Style have LGBTQ+ representation?

Fair

The film does not include any explicit LGBTQ+ characters or representations of non-straight identities. Parody can sometimes challenge romantic clichés, but there is no specific LGBTQ+ representation in this film.

How does A Robbery In... Style portray gender?

Fair

The story focuses on masculine gangster archetypes. It is unclear whether the film challenges traditional gender roles or merely parodies them.

How racially and ethnically diverse is A Robbery In... Style?

Good

The film incorporates multiple national styles from America, France, Italy, and Russia. This international framework avoids a single, monolithic perspective.

How does A Robbery In... Style represent religion and culture?

Good

The film uses cultural relativism to frame crime through various national lenses. This approach questions the idea of a single moral or procedural standard.

Does A Robbery In... Style include disability representation?

Minimal

There is no evidence of characters with physical or neurodivergent disabilities within the work.

Present on Screen

The multi-national structure provides a diverse, international framework.
The use of parody effectively deconstructs established cinematic archetypes.
The film challenges cultural norms through a postmodern, multi-perspective approach.

Limited or Absent

The film lacks visible representation of LGBTQ+ identities.
The narrative relies heavily on masculine-dominated gangster clichés.
There is no evidence of characters with physical or neurodivergent disabilities.

Official Synopsis

A cartoon composed of four parts, parodying "classical" gangster and criminal movies of four countries: robbery American style, French style, Italian style and Russian style. All cartoon characters resemble real movie stars of 50th and 60th.

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