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Robbery Roman Style

Name: Robbery Roman Style
Director: Adriano Celentano, Piero Vivarelli
Released: 1964
Duration: 102 min

Representation Score

2.0/10

Limited

1964

TV-14

Director

Adriano Celentano, Piero Vivarelli

Runtime

102 minutes

Average Rating

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New Showbiz Analysis

Robbery Roman Style is a typical crime comedy from the 1960s that follows the social and demographic norms of its time. The film focuses on genre entertainment rather than social commentary or diverse representation. The story structure centers on a male-dominated criminal gang and a localized, homogeneous setting. It does not aim to challenge traditional hierarchies or introduce diverse perspectives. Overall, the film serves as a standard genre piece of its era, representing the demographic status quo without much deviation.

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Category Breakdown

Does Robbery Roman Style have LGBTQ+ representation?

Limited

The film does not include characters with LGBTQ+ identities or same-sex relationships. It follows the assumption that everyone is straight or cisgender, which was common in 1964 Italian cinema.

How does Robbery Roman Style portray gender?

Limited

The story revolves around male-coded characters involved in crime and evasion. There is no indication of women having significant roles or challenging traditional gender hierarchies.

How racially and ethnically diverse is Robbery Roman Style?

Limited

The film reflects the demographic makeup of mid-century Milan, which was predominantly European. It does not feature diverse casting or include non-European majority groups.

How does Robbery Roman Style represent religion and culture?

Fair

The monastery setting creates humorous interactions between criminals and religious figures. However, the film does not emphasize secular or anti-capitalist ideologies.

Does Robbery Roman Style include disability representation?

Minimal

There are no characters with visible or invisible disabilities in the film.

Present on Screen

The monastery setting offers a unique comedic backdrop for interactions between criminals and religious figures.

Limited or Absent

The film lacks representation of LGBTQ+ identities and non-European ethnic groups.
The narrative relies heavily on male-coded characters with little female involvement.
There are no characters with visible or invisible disabilities.

Official Synopsis

After scoring big in a high-profile bank robbery, a gang of Milanese criminals has to hide in a monastery.

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