
Mujeres infieles
1995

Representation Score
Limited
1956
Director
José Díaz Morales
Runtime
87 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Unfaithful Wives presents a moderate challenge to mid-century social norms by centering women's ability to drive the story. Instead of depicting idealized domesticity, the anthology format delves into complex, non-idealized motivations for women's actions. While the film lacks explicit LGBTQ+ markers or clear evidence of racial diversity, its approach to morality is progressive for 1956. It moves away from traditional archetypes toward a more nuanced exploration of human behavior. Ultimately, the film's strength lies in its subversion of gender hierarchies, even though it remains confined to a straight-centered framework.
Category Breakdown
The film focuses solely on heterosexual marriages between wives and husbands. There is no depiction of same-sex relationships or non-cisgender identities.
By centering women as active agents of their own desires, the film challenges the passive housewife stereotype of the 1950s. It explores infidelity driven by revenge or pleasure, moving beyond the era's submissive archetype.
Specific casting details are unavailable to confirm a diverse cast. The film likely adheres to the typical demographic makeup of mid-century international cinema without evident blending of different backgrounds.
The narrative shifts towards moral relativism by presenting various reasons for infidelity. This approach questions rigid social and religious institutions by emphasizing individual autonomy over strict moral lessons.
There is no information available regarding the inclusion of characters with physical or neurodevelopmental disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A bunch of stories where wives are unfaithful for different reasons: money, revenge or pleasure.

1995

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1945

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1970

1953
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