The film follows a strictly heteronormative structure. It focuses on traditional masculine archetypes without any presence of non-cisnormative identities.

The narrative is almost exclusively male-centric, prioritizing archetypes of violence. Female characters are largely absent or relegated to the periphery of the story.

The cast is primarily white, though the plot features a Mexican antagonist. This character functions as a traditional outlaw rather than a nuanced ethnic exploration.

The film utilizes moral relativism rather than singular religious ideals. It portrays law and institutions as fragile, susceptible to corruption and self-interest.

There is no discernible representation of visible or invisible disabilities. Characters are defined solely by their capacity for survival and violence.