
Daisy Kenyon
1947

Representation Score
Limited
1953
NRDirector
Ida Lupino
Runtime
80 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Directed by Ida Lupino, *The Bigamist* is a psychological exploration of domestic instability. It challenges the era's typical 'competent patriarch' cliché by focusing on the consequences of male deception and the subsequent breakdown of the traditional family structure. Although the film does not offer diverse representations of race or LGBTQ+ identities, it provides progressive insight through its focus on the internal struggles and resilience of the women involved in the protagonist's lies. Ultimately, the film avoids a simplistic portrayal of the ideal family, instead offering a complex moral inquiry into the fragility of social facades and the instability of the male-dominated household.
Category Breakdown
The film strictly follows a domestic setting that assumes everyone is straight and cisgender. There are no depictions of LGBTQ+ identities or same-sex relationships.
The story challenges the traditional 1950s gender hierarchy by emphasizing the emotional strength of the female characters. The wives play a crucial role in driving the tension, showing resilience against the patriarchal 'provider' model.
The cast is made up of a homogeneous, white, middle-class group. The narrative focuses solely on Anglo-Saxon social dynamics without any significant racial or ethnic diversity.
The film portrays the nuclear family as a fragile construct rather than an unshakeable institution. It highlights the psychological stress within the domestic unit.
There are no visible or invisible disabilities shown in the film.
Present on Screen
Limited or Absent
Official Synopsis
San Francisco businessman Harry Graham and his wife and business partner, Eve, are in the process of adopting a child. When private investigator Mr. Jordan uncovers the fact that Graham has another wife, Phyllis, and a small child in Los Angeles, he confesses everything.

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