The film adheres to the social conventions of the Tang Dynasty. There is no depiction of non-cisnormative identities or same-sex intimacy, focusing instead on heteronormative political alliances.

The narrative disrupts conventional expectations by centering a female protagonist who attains absolute authority. Wu Zetian demonstrates superior political intellect, dismantling notions of female passivity within the imperial court.

The cast is ethnically homogeneous, reflecting its origins in the Chinese-language film industry. It maintains cultural authenticity to its setting without Western-centric casting or whitewashing.

The film reflects the established philosophical and hierarchical structures of the imperial era. It focuses on historical realism rather than modern ideological deconstruction or critiques of Western institutions.

There is no discernible focus on neurodivergence or physical disabilities. The narrative prioritizes political maneuvering and status over the exploration of diverse physical or mental lived experiences.