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78/52

78/52

2017

Director

Alexandre O. Philippe

Runtime

91 minutes

Average Rating

No ratings yet

Synopsis

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

Where to Watch

Diversity & Representation

Overall Score

1.0/10

Minimal


Category Breakdown

LGBTQ+ Representation

Minimal

The documentary does not engage with LGBTQ+ narratives or non-cisnormative identities. Its focus remains strictly on technical film history and Hitchcock’s directorial process.

Gender Representation

Limited

Gender dynamics are limited by the film's focus on mid-century Hollywood and technical production. The narrative does not center female agency or subvert traditional hierarchies.

Racial & Ethnic Diversity

Minimal

The film offers little racial or ethnic breadth. It centers on the Anglo-centric history of Hollywood and the specific legacy of Alfred Hitchcock.

Religious & Cultural Diversity

Minimal

The film operates within traditional film studies and historical preservation. It celebrates the established cinematic canon rather than engaging with post-colonial or secular critiques.

Disability Representation

Minimal

There is no representation of physical, neurodivergent, or mental health disabilities. These themes do not serve as narrative drivers or character arcs.

Strengths

  • Provides a deep, technical deconstruction of cinematic montage and visual rhythm.
  • Offers a fascinating meta-narrative regarding the obsession required for cinematic perfection.

Areas for Improvement

  • Lacks engagement with diverse identities, focusing almost exclusively on Anglo-centric film history.
  • Does not address gender dynamics or subvert traditional Hollywood hierarchies.

AI Analysis

78/52 is a specialized technical study that prioritizes the mechanics of montage and editing over social storytelling. By deconstructing the specific rhythm of Hitchcock's shower scene, the film focuses on the relationship between a creator and his medium. Because the objective is the semiotics of film editing, the documentary lacks the narrative architecture to address intersectional identities. It functions as a cinematic autopsy of a landmark moment rather than an exploration of human social dynamics. The film adheres to traditional cinematic history, offering a celebration of the Western canon without attempting to disrupt conventional expectations of identity or social hierarchy.

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