The film adheres to 19th-century heteronormative structures. There is no discernible presence of queer subtext or non-cisnormative identities within this adaptation.

Fantine’s arc provides a critique of patriarchal exploitation, granting her agency despite her vulnerability. However, female depictions remain largely tied to domesticity and survival.

Casting reflects the demographic homogeneity of 19th-century France. The narrative focuses on class stratification rather than racial or ethnic diversity.

The film critiques systemic inequality and oppressive institutions. Religious themes serve as tools for personal transformation rather than endorsements of institutional dogma.

The story explores the physical toll of poverty and malnutrition. While no specific characters have diagnosed disabilities, the struggle against physical exhaustion is central.