
Lola
1964

Representation Score
Limited
1965
Director
Dinos Katsouridis
Runtime
95 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Ruthless is a period-specific drama that adheres to the social and narrative conventions of 1960s Mediterranean cinema. It prioritizes individualistic struggle and traditional romantic arcs over exploring diverse identities. The film's structure centers on a male protagonist's journey from criminality to emotional softening. While this provides a personal character arc, it does not intentionally challenge established social hierarchies. Ultimately, the narrative operates within a homogeneous cultural framework, focusing on personal evolution rather than broader social critiques.
Category Breakdown
The film emphasizes traditional heterosexual relationships and does not include any non-binary gender identities or LGBTQ+ themes.
The story follows a male-centric path where the male protagonist's actions and decisions play a significant role in driving the plot, while women mainly serve as emotional catalysts for his growth.
Set in a post-war Greek context, the film portrays a homogeneous society with no multi-ethnic representation, reflecting the demographics of its time.
The film explores post-war survival and moral dilemmas through the lens of individual redemption. It relies on established humanitarian organizations like the Red Cross for its narrative setting.
There is no information regarding the depiction of physical, sensory, or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
After his release from prison, Stathis visits a private investigator, Othonas, whom he had assigned many years ago to find his mother, who has been missing from the time of the German Occupation. When he meets Othonas, however, they quarrel because the detective hadn’t worked seriously enough on the case. Afterwards, Stathis takes control of his old gang again and sets up a few new scams, selling dreams and hopes to simple people. He soon realizes that he has lost his old love, Vana, who, while he was in prison, had become involved with his second-in- command, Michalis. Nevertheless, his bitterness is softened by Stella, Vana’s sister, who works at the Red Cross. He falls for her, and she responds in kind.

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1978
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