The film adheres strictly to mythic archetypes without depicting non-cisnormative identities. The central tension focuses on biological and marital transgressions rather than critiques of sexual orientation.

Power dynamics remain heavily gendered within traditional dramatic structures. While Jocasta carries significant emotional weight, female characters are largely tethered to the central tragic arc of familial violation.

Casting reflects European-centric archetypes typical of mid-century classical adaptations. The production design maintains a homogeneous visual landscape consistent with traditional Greco-Roman tragedy.

Pasolini uses mythic fatalism to challenge absolute morality. The tension between human intellect and divine authority creates a complex, existentialist view of the human condition.

The film does not feature prominent characters with visible or invisible disabilities as central narrative drivers.