Bobby Deerfield
1977
No user ratings available yet
Diversity score: 2.8 out of 10
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This Property Is Condemned
1966
UnratedDirector
Sydney Pollack
Runtime
110 minutes
Average Rating
No ratings yetSynopsis
Owen Legate, a railroad official, comes to Dodson, Mississippi to shut down the local railway - the town's main income. But Owen unexpectedly finds love with Dodson's flirt and main attraction, Alva Starr.
Where to Watch
Diversity & Representation
Overall Score
3.1/10
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a strictly heteronormative framework. There is no presence of non-cisnormative identities or same-sex intimacy within the central romantic arc.
Gender Representation
Alva Starr displays spirited agency as a central social figure, yet her arc remains tethered to the male protagonist. Systemic conflicts are driven by male-dominated leadership roles.
Racial & Ethnic Diversity
The cast is predominantly homogeneous, reflecting the social constraints of 1966. The narrative lacks significant minority representation in lead or supporting roles.
Religious & Cultural Diversity
The story offers a critique of systemic corruption and predatory land management. It explores how institutional power can disenfranchise individuals through a traditional moral lens.
Disability Representation
There is no discernible focus on visible or invisible disabilities within the narrative or character studies.
Strengths
- Offers a nuanced critique of systemic corruption and the manipulation of institutional power.
- Provides a sophisticated exploration of how economic interests can disenfranchise local populations.
Areas for Improvement
- Lacks significant racial and ethnic diversity in both lead and supporting roles.
- Reinforces traditional gender hierarchies by tethering the female lead's arc to romantic interests.
- Maintains a strictly heteronormative framework with no LGBTQ+ representation.
AI Analysis
This drama functions as a character study centered on socioeconomic struggle and individual morality. While it provides a sophisticated critique of how systemic power and corrupt local authorities can manipulate the law, it does so through a conventional lens. The film remains anchored in the social hierarchies of the mid-1960s. It prioritizes classical dramatic tension and traditional romantic arcs over the exploration of diverse identities or radical narrative deconstruction. Ultimately, the work focuses on the tension between individuals and institutional structures without challenging the era's standard norms regarding race, gender, or sexuality.
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