The film contains no depiction of LGBTQ+ identities or non-cisnormative gender expressions. The visual language is strictly heteronormative, focusing on the traditional family unit as a pillar of the state.

Gender dynamics center on the hyper-masculine authority of Mussolini. Women are relegated to the periphery, appearing only in roles that reinforce traditional domesticity or as symbols of national motherhood.

Footage of North African engineering projects serves a colonialist agenda rather than demonstrating ethnic agency. The subjects are overwhelmingly homogeneous, centering on the Italian political apparatus.

The film promotes ultra-nationalism and the alignment of the Fascist regime with religious institutions. It champions a state-centric social order emphasizing patriotism and absolute obedience to authority.

There is no meaningful representation of disability. The film focuses on the idealized, able-bodied strength of political leadership and the disciplined masses.