
The Lion Has Wings
1939

Representation Score
Minimal
1940
Director
Hans Bertram
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Baptism of Fire serves as a historical artifact of state-sponsored propaganda. Its primary purpose is the glorification of the Luftwaffe and the expansionist goals of the German state during the invasion of Poland. The film is constructed to reinforce traditional hierarchies and rigid social norms. It lacks any multi-layered approach, instead focusing on a singular, state-mandated identity centered on military supremacy and technical prowess. By design, the work excludes diverse perspectives, focusing instead on a homogeneous, hyper-masculine, and nationalistic worldview that celebrates institutional power and conquest.
Category Breakdown
The film does not include any LGBTQ+ identities. It follows the strict social hierarchies of 1940s Germany, which assumes everyone is heterosexual.
Women are completely absent from the story. The film focuses solely on the masculine sphere of aerial combat to celebrate a hyper-masculine ideal of war.
The film depicts a uniform racial landscape centered around the German military. It offers no meaningful representation of non-Germanic or non-Anglo-Saxon diversity.
The film promotes extreme nationalism and state-centric ideology. It prioritizes military victory and nationalistic fervor over any form of secularism or moral relativism.
There is no representation of disability or neurodivergence. The focus remains strictly on the physical perfection and operational readiness required for combat.
Present on Screen
Limited or Absent
Official Synopsis
The Legend of the Luftwaffe began in Poland, the first victim of Hitler's blitzkrieg. Combat cameramen filmed the aerial campaign, showing preparations for flight, massive air strikes, and the appalling devastation wreaked upon Polish towns and armies.

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