The film contains no depiction of LGBTQ+ identities. It operates within a strictly heteronormative and exclusionary framework that does not acknowledge non-cisnormative identities.

Gender is utilized primarily as a tool for biological categorization rather than character development. The film reinforces rigid social hierarchies and lacks any subversion of patriarchal norms.

This work is a foundational document of racialized antagonism. It uses dehumanizing semiotics and montage techniques to equate an ethnic group with vermin and disease.

The narrative promotes extreme nationalism and portrays religious practices as inherently conspiratorial. It frames the destruction of a culture as a necessary act of national preservation.

The film employs imagery of illness and biological impurity as a metaphor for the targeted group. It uses the concept of the diseased body to justify systemic exclusion.