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The Thing

The Thing

Representation Score

7.2/10

Good

1990

Director

Nanni Moretti

Runtime

60 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Nanni Moretti’s documentary offers a nuanced examination of a changing political landscape. It dismantles traditional gender hierarchies and institutional power structures, presenting neurotic, intellectually driven individuals as the new norm. However, the film’s demographic is narrow, focusing primarily on the white, professional class of Italy. It lacks racial, ethnic, and disability representation, limiting its scope to a specific Eurocentric context. Ultimately, the work prioritizes a sophisticated critique of Western political structures over broad demographic representation.

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Category Breakdown

Does The Thing have LGBTQ+ representation?

Fair

The film centers on personal crises and existential struggles rather than explicit LGBTQ+ identity politics. It does not explore non-traditional gender roles or sexual orientations.

How does The Thing portray gender?

Fair

The film challenges traditional masculine authority by depicting characters as emotionally vulnerable. It avoids the stereotype of the stable male leader, emphasizing the intellectual and emotional complexity of both men and women.

How racially and ethnically diverse is The Thing?

Limited

The cast is predominantly white, reflecting the Eurocentric intellectual class of 1989 Italy. The narrative does not incorporate non-white perspectives into its exploration of political identity.

How does The Thing represent religion and culture?

Excellent

The documentary effectively critiques established Western institutions through the lens of political chaos. It highlights the fluid nature of truth in chaotic debates rather than rigid ideologies.

Does The Thing include disability representation?

Limited

The film does not feature characters with visible or invisible disabilities. The focus is on the psychological and political issues faced by the professional class.

Present on Screen

  • Challenges traditional masculine authority by showing men and women with shared emotional vulnerabilities.
  • Provides a sophisticated critique of established Western political institutions and hierarchies.
  • Highlights the chaotic, authentic debates among political figures.

Limited or Absent

  • Lacks significant racial and ethnic diversity, reflecting a homogeneous Eurocentric demographic.
  • Does not address neurodivergence or physical disability within the political context.
  • Does not represent explicit LGBTQ+ identities or non-traditional gender roles.

Official Synopsis

1989. Amid the collapse of the Eastern Bloc, the largest communist party in Western Europe—Italy's PCI—announces that it'll change its name, vowing to become 'a new thing'. The film follows the debates taking place in various PCI branches across Italy in the aftermath of this historic decision.

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