
Mort de Robespierre
1897

Representation Score
Minimal
1898
Director
Alexandre Promio, Georges Hatot
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1898 short film serves as a historical tableau of Roman tyranny. It uses slaves to illustrate Nero's absolute power, focusing on the technical experimentation of the early cinematic era. The film relies on a strict hierarchy of oppressor and oppressed, depicting a diverse population but without providing meaningful representation. Ultimately, it is a study of individual corruption rather than a nuanced exploration of identity or social structures.
Category Breakdown
The film does not include any characters who identify as LGBTQ+, nor does it depict any non-cisgender identities. The story focuses solely on the power dynamics within the Roman Empire.
The story centers around Nero's authority, where the gender of the slaves is not specified. However, the film reinforces traditional gender roles without challenging them.
The film features slaves within a Roman setting, possibly with diverse casting. However, these characters are portrayed as passive subjects to Nero's tyranny and do not have significant roles in the narrative.
This historical drama highlights systemic cruelty and individual tyranny. It lacks modern sociological critiques and focuses on the moral breakdown of a single ruler.
There are no characters with physical or neurodivergent disabilities in this film.
Present on Screen
Limited or Absent
Official Synopsis
Nero, seated on a throne, has slaves summoned. Each drinks poison and dies, the second even though he can see the corpse of his predecessor.

1897

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1908

1928

1909

1924

1897

1951
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