The film adheres to the heteronormative structures of Sengoku-period Japan. There is no discernible presence of non-cisnormative identities or same-sex intimacy.

Princess Takako serves as a central plot catalyst, yet her agency is often mediated by male protagonists. The film reflects period-specific gender dynamics rather than actively subverting them.

The cast is ethnically homogeneous, reflecting its Japanese setting. However, the film provides internal diversity by centering the perspectives of low-born peasants amidst a samurai-driven conflict.

The narrative offers a sophisticated critique of traditional authority and social order. It depicts a world where power is tied to military might rather than inherent righteousness.

There are no prominent depictions of visible or invisible disabilities used as central character drivers or plot devices.