It's in the Bank
2019
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Diversity score: 3.4 out of 10
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Harry and Walter Go to New York
1976
PGDirector
Mark Rydell
Runtime
115 minutes
Average Rating
No ratings yetSynopsis
Two hopelessly out of their class con-men attempt to pull off the largest bank heist of the 19th century — by gaining the enmity of the most famous bank robber in the world and the affection of a crusading newspaperwoman.
Where to Watch
Diversity & Representation
Overall Score
3.6/10
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or narratives. The plot focuses on a heteronormative dynamic involving a newspaperwoman and the male leads.
Gender Representation
A crusading newspaperwoman provides a potential for female agency. However, the story centers on the male con-men as the primary drivers of the plot.
Racial & Ethnic Diversity
The narrative suggests a traditional urban American milieu. There is no evidence of a diverse or non-Anglo-Saxon majority cast.
Religious & Cultural Diversity
The film relies on crime genre tropes rather than systemic critique. It focuses on individual greed instead of deconstructing Western institutions.
Disability Representation
There is no information regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.
Strengths
- The inclusion of a crusading newspaperwoman suggests a degree of professional female agency within the narrative.
Areas for Improvement
- The film lacks LGBTQ+ representation and diverse racial casting.
- The narrative centers heavily on male protagonists, limiting gender diversity.
- The story follows traditional genre tropes rather than offering systemic social critiques.
AI Analysis
Harry and Walter Go to New York is a conventional mid-1970s crime comedy. It prioritizes genre-driven entertainment and classic con-man archetypes over intersectional representation or social disruption. The film adheres to established cinematic structures of its era. The narrative focuses on individual deception and pursuit rather than exploring diverse identities or systemic social hierarchies. Ultimately, the work functions as a traditional character study within a standard urban setting, offering little in the way of progressive identity politics.
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