
Crime at the Chinese Restaurant
1981

Representation Score
Minimal
1977
Director
Bruno Corbucci
Runtime
95 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Swindle follows traditional crime comedy structures, focusing on genre archetypes rather than exploring identity. The narrative emphasizes comedic conflicts without challenging social hierarchies. While the film uses moral relativism through its focus on con artists, it maintains a conventional approach to gender, race, and sexuality, offering limited perspectives on overlapping identities.
Category Breakdown
The film does not include any LGBTQ+ characters or representations of non-straight relationships. It adheres to a traditional framework that assumes everyone is straight.
The story centers on a male-dominated investigative team and does not provide significant roles for women. It fails to challenge traditional gender hierarchies.
The cast is predominantly made up of white actors, reflecting a Eurocentric perspective. There is no effort to include diverse ethnicities.
The film frames criminal activities as humorous entertainment, using the subversion of law as a genre cliché. It does not critically examine Western institutions.
The film does not feature any characters with disabilities, either visible or invisible. Disability is not a focal point of the narrative.
Present on Screen
Limited or Absent
Official Synopsis
A rude Roman policeman Nico Giraldi and an English detective team up in search of a gang that has carried out an enormous fraud against the Lloyd's of London.

1981

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1951
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