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How We Robbed the Bank of Italy

How We Robbed the Bank of Italy

Representation Score

0.7/10

Minimal

1966

Director

Lucio Fulci

Runtime

94 minutes

Average Rating

No ratings yet

New Showbiz Analysis

This 1966 crime comedy is a conventional genre exercise that adheres to the social and demographic norms of its time. The storytelling prioritizes comedic heist clichés over any progressive representation or critical social commentary. Operating within a traditional framework, the film focuses on a male-centric duo and a homogeneous social landscape, without challenging established hierarchies or utilizing diverse storytelling techniques. Ultimately, the production serves as a localized piece of entertainment that reflects the standard demographic expectations of 1960s Italian cinema.

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Category Breakdown

Does How We Robbed the Bank of Italy have LGBTQ+ representation?

Minimal

The film focuses on a male-driven heist premise and does not include any non-cisgender identities or narratives involving same-sex relationships.

How does How We Robbed the Bank of Italy portray gender?

Limited

The story revolves around a male ensemble, with women playing minor roles and having little influence over the plot.

How racially and ethnically diverse is How We Robbed the Bank of Italy?

Minimal

The cast is predominantly white, with no effort to blend different races or have a non-white majority.

How does How We Robbed the Bank of Italy represent religion and culture?

Fair

The film follows typical heist comedy clichés without offering any critical examination of societal structures or secular themes.

Does How We Robbed the Bank of Italy include disability representation?

Minimal

No visible or invisible disabilities are shown, and characters are defined by their comedic incompetence rather than any neurodivergence or physical conditions.

Present on Screen

  • The film effectively uses well-known heist comedy clichés to propel its farcical storyline.

Limited or Absent

  • The film lacks meaningful female involvement and relies on a minor female presence.
  • The narrative lacks racial diversity, depicting a very homogeneous social environment.
  • There is no representation of LGBTQ+ identities or non-conforming gender expressions.
  • The production does not portray characters with visible or invisible disabilities.

Official Synopsis

Dim-wits Franco and Cicco try to come up with a plan to rob the safes of the Bank of Italy, but with one muddle after another, they find themselves empty-handed after each attempt to do so.

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