Angel

The film adheres to strict assumptions that everyone is straight or cisgender. There is no depiction of same-sex relationships or non-binary gender identities.

Marlene Dietrich’s character provides a nuanced look at women's ability to drive the story. She avoids submissive domestic clichés, instead using intellect to navigate complex social and economic power dynamics.

The setting focuses on 19th-century Parisian aristocracy, resulting in a largely homogeneous cast. There is no significant presence of racial or ethnic diversity.

The narrative prioritizes social etiquette over religious dogma. The protagonist's lifestyle suggests a moral relativism that challenges traditional Christian virtue through situational ethics.

The film contains no visible or invisible depictions of disability. Characters adhere to the standard physical and neurotypical norms of period dramas.