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The Last Supper

Name: The Last Supper
Director: Tomás Gutiérrez Alea
Released: 1976
Duration: 120 min

Representation Score

4.5/10

Fair

1976

Director

Tomás Gutiérrez Alea

Runtime

120 minutes

Average Rating

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New Showbiz Analysis

The film is a powerful critique of colonial power, using a 19th-century Cuban plantation to highlight systemic exploitation. By focusing on the experiences of the enslaved, it turns the spotlight away from the ruling class and onto the ability to act of those oppressed. While the film offers a strong critique of racial and cultural issues, it operates within a traditional patriarchal framework. The absence of LGBTQ+ representation and disability visibility limits its overall inclusivity. Overall, the film is a sophisticated Marxist critique that challenges the moral authority of Western institutions, making it a significant piece of post-colonial cinema.

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Category Breakdown

Does The Last Supper have LGBTQ+ representation?

Minimal

The film does not include explicit LGBTQ+ characters or non-straight relationships. It focuses primarily on racial and class issues within a colonial context.

How does The Last Supper portray gender?

Fair

The film examines gender dynamics within a patriarchal society. It highlights the roles of enslaved women as they navigate domestic oppression and internal hierarchies.

How racially and ethnically diverse is The Last Supper?

Excellent

The film centers on Afro-Cuban perspectives and challenges colonial hierarchies. It portrays Black characters as key figures in social change rather than secondary elements.

How does The Last Supper represent religion and culture?

Excellent

The narrative criticizes Western institutions and the use of Christianity as a tool for social control. It exposes the contradictions between religious and capitalist structures.

Does The Last Supper include disability representation?

Minimal

There are no significant depictions of visible or invisible disabilities within the main storyline.

Present on Screen

Exceptional portrayal of racial ability to act and Afro-Cuban perspectives.
Sophisticated critique of how religious institutions are used for social control.
Effective deconstruction of colonial and capitalist power hierarchies.

Limited or Absent