
Alice Guy Films a 'Phonoscène' in the Studio at Buttes-Chaumont, Paris
1907

Representation Score
Minimal
1929
Director
Alfred Hitchcock
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This short is a foundational technical artifact designed to validate the transition from silent to synchronized sound cinema. Because its purpose is mechanical rather than narrative, it lacks the complexity needed to engage with diverse identities. The production adheres to the conventional demographic and structural norms of 1929 filmmaking. It offers a snapshot of early industry standards rather than a challenge to them. Ultimately, the clip functions as a neutral piece of film history, focusing on the interaction between a performer and a recording apparatus.
Category Breakdown
The footage focuses on demonstrating synchronized sound technology and does not include any representation of LGBTQ+ identities or same-sex relationships.
Anny Ondra is the central figure, providing the vocal responses necessary for the test. However, the power dynamic remains traditional, with her positioned as the object of the director's teasing.
The production features a homogeneous cast typical of the 1929 studio system. There is no evidence of non-white or non-Anglo-Saxon representation in the clip.
The setting is a professional recording studio reflecting a Western industrial environment. It lacks any critique of traditional morality or Western institutions.
There are no depictions of visible or invisible disabilities or neurodivergence. The focus remains exclusively on the calibration of auditory input.
Present on Screen
Limited or Absent
Official Synopsis
A brief sound test made during production of Blackmail (1929), featuring Alfred Hitchcock playfully teasing lead actress Anny Ondra as she struggles to respond on camera. Photographed by Jack E. Cox, the clip was shot to test the new sound recording system for what would become Hitchcock’s first talkie.

1907

1929

1940

1929
1999

2017

1892

2015
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