
Kino-Pravda No. 17
1923

Representation Score
Limited
1930
Not RatedDirector
Dziga Vertov
Runtime
67 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Dziga Vertov’s work emphasizes a collective identity rather than individual demographics. It successfully presents a radical cultural shift, replacing religious and capitalist structures with a secular, industrial reality. However, the film lacks diversity in terms of sexual orientation, race, and physical ability, focusing primarily on a homogeneous Slavic proletariat and the idealized, able-bodied worker. The film's strength lies in its socio-economic critique, but it falls short in representing a broad range of human identities.
Category Breakdown
The film focuses on a strictly industrial framework and does not depict any non-straight relationships or same-sex intimacy.
The film shows female workers as active participants in the industrial machinery of the Donbas region, despite the industry being traditionally male-dominated.
The documentary focuses on a homogeneous Slavic working class and does not include diverse ethnic backgrounds or negative stereotypes.
The film emphasizes secularism and state atheism through anti-religious campaigns, presenting traditional Western institutions and capitalism as outdated compared to collective worker power.
The film does not address disability or neurodivergence. Instead, it highlights the idealized, fully capable bodies of the workers.
Present on Screen
Limited or Absent
Official Synopsis
An audiovisual symphony that delves into the industrial, agrarian, and cultural fabric of the Donbas region during the inaugural Soviet Five Year Plan. It spotlights anti-religious campaigns, propagandistic marches, and the vibrant athletic culture of its time

1923

1976

1922

1929

1922

1927

1922

1922
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