The film does not center on queer identities or non-cisnormative narratives. While it lacks explicit LGBTQ+ character arcs, its interrogation of social norms prevents it from being regressive.

Women are portrayed with significant agency as they navigate grief and survival. The film disrupts traditional hierarchies by highlighting female emotional labor rather than relying on stable male leadership tropes.

The narrative excels in depicting ethnic and religious intersectionality. It avoids caricatures by using a diverse cast to represent various social strata and the friction between Hindu and Muslim communities.

The film offers a significant critique of religious hegemony and institutional power. It presents a spectrum of responses to communal violence, from active perpetrators to silent bystanders, without being didactic.

There is no prominent evidence of characters with visible or invisible disabilities driving the plot. The focus remains on communal and psychological trauma rather than specific disability-centric arcs.