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Danse serpentine (Annabelle)

Name: Danse serpentine (Annabelle)
Director: William Heise, William K.L. Dickson
Released: 1895
Duration: 1 min

Representation Score

1.2/10

Minimal

1895

Not Rated

Director

William Heise, William K.L. Dickson

Runtime

1 minutes

Average Rating

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New Showbiz Analysis

Produced during the early kinetoscope era, this film focuses on capturing movement rather than providing social commentary. It serves as a historical artifact of early Western performance art rather than a narrative work. The film lacks the complexity needed to engage with modern multi-layered frameworks, focusing instead on documenting motion with a narrow demographic focus. While it highlights Annabelle Moore's mastery, the work remains rooted in the homogeneous social norms of the late 19th-century American stage.

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Category Breakdown

Does Danse serpentine (Annabelle) have LGBTQ+ representation?

Minimal

The film is a brief, non-narrative performance piece. It does not include any characters or narratives related to LGBTQ+ identities.

How does Danse serpentine (Annabelle) portray gender?

Fair

Annabelle Moore is the central figure, showcasing her professional skill and physical abilities. However, the portrayal adheres to the feminine standards of the 1890s.

How racially and ethnically diverse is Danse serpentine (Annabelle)?

Minimal

The subject is a Broadway dancer, and the visual evidence shows no diverse or non-Anglo-Saxon casting. It reflects the homogeneous demographics of the time.

How does Danse serpentine (Annabelle) represent religion and culture?

Limited

This work serves as a document of early Western entertainment culture. It functions as a standard exhibition of talent within established commercial frameworks.

Does Danse serpentine (Annabelle) include disability representation?

Minimal

There is no evidence of characters with visible or invisible disabilities in this performance.

Present on Screen

Highlights Annabelle Moore's physical prowess and professional skill.

Limited or Absent

Reflects the homogeneous demographic norms of the 1890s, lacking racial and ethnic diversity.
Does not include any representation of LGBTQ+ identities or disability.
Does not engage with diverse cultural themes or social critiques.

Official Synopsis

In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.

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