You are here:

The Man Who is Talked About

The Man Who is Talked About

Representation Score

1.6/10

Minimal

1937

Director

E.W. Emo

Runtime

83 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film operates within the conventional entertainment structures of 1930s Germany, focusing on situational humor and slapstick. It reinforces the social norms of the era by centering the plot on traditional romantic pursuits and family hierarchies. The narrative relies on established clichés, avoiding any multi-layered complexity or disruption of conventional social roles.

Watch this, not that →

Category Breakdown

Does The Man Who is Talked About have LGBTQ+ representation?

Minimal

The film focuses solely on the heterosexual relationship between the protagonist and the female lead, without including any non-straight or non-cisgender identities. It does not challenge traditional social structures related to sexual orientation or gender identity.

How does The Man Who is Talked About portray gender?

Fair

Bianca demonstrates professional skill and independence as a trapeze artist, but the plot relies on the passive behavior of male characters for comedic effect. Traditional gender roles are reinforced rather than challenged.

How racially and ethnically diverse is The Man Who is Talked About?

Minimal

The cast appears uniform, reflecting the demographics typical of 1930s German cinema. There are no characters from diverse racial or ethnic backgrounds.

How does The Man Who is Talked About represent religion and culture?

Limited

The story emphasizes mid-century cultural values such as family hierarchy and social integration. Success is defined by fulfilling family expectations and professional duties within the societal norms of the time.

Does The Man Who is Talked About include disability representation?

Minimal

No characters with visible or invisible disabilities are shown. The protagonist's agreeable nature is portrayed as a comedic trait rather than a condition requiring medical attention.

Present on Screen

  • Bianca showcases professional independence as a trapeze artist.

Limited or Absent

  • The film lacks racial diversity, featuring a homogeneous cast typical of its era.
  • Traditional gender roles and straight-centered relationships are reinforced.
  • There is no representation of LGBTQ+ identities or disability.

Official Synopsis

The Man Who is Talked About is the overly agreeable Toni Mathis (Heinz Ruhmann), a gent constitutionally incapable of saying the word "no" (or "nein," this being a German picture). Though he'd rather breeze through life without responsibilities or obligations, Toni agrees to study zoology in college because his uncle (Hans Moser) wants him to. Alas, despite the Herculean efforts by Toni's servant Hassler (Theo Lingen) to prepare his master for his final exams, Toni forgets to show up for the finals and is expelled post-haste. In desperation, his uncle arranges for Toni to get married, and once again our hero just can't say no. Trouble is, he falls in love with trapeze artist Bianca (Gusti Huber), whose father won't let her marry anyone except another entertainer. Undaunted, Toni studies a book on show business and tries out for the vaudeville stage, and the picture isn't even halfway over yet!

How are these scores produced? →

Where to Watch

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.