
Mounted Police Charge
1896

Representation Score
Minimal
1896
Director
Alexandre Promio
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Chicago Police Parade serves as a historical document from 1896, capturing a period of extreme institutional homogeneity. The film lacks any complexity in representing diverse identities, focusing instead on a uniform display of authority. The subjects are exclusively white men, reinforcing the racial and gendered hierarchies of the late 19th century. This lack of diversity reflects the systemic exclusion of the time rather than a modern narrative choice. Ultimately, the work provides a clear example of a monolithic institutional portrait, offering no challenge to the social orders it depicts.
Category Breakdown
The footage focuses solely on a male-dominated procession. There are no representations of diverse gender identities or LGBTQ narratives.
The film emphasizes traditional masculine hierarchies through its subjects. The procession is made up entirely of men, showcasing a singular depiction of patriarchal institutional power.
The visual record shows a homogeneous group of white men. There is no indication of racial diversity or non-Anglo-Saxon presence in the parade.
The film celebrates traditional Western institutional authority. It portrays the police force as a symbol of order and state-sanctioned discipline.
There are no visible depictions of physical or neurodivergent disabilities. The subjects appear to conform to standards of physical uniformity and military-style discipline.
Present on Screen
Limited or Absent
Official Synopsis
Walking four abreast, in groups of six rows, 144 of Chicago's finest parade past a stationary camera. Each of the six groups that pass is escorted by an officer. All are men, all are white, all look tall, all wear identical high-buttoned uniforms and badges and carry a nightstick. Almost all sport mustaches. Behind the police comes a horse-drawn carriage.

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