The film contains no LGBTQ+ characters or narratives. Romantic elements, such as the subplot involving Tun Teja, strictly adhere to traditional marriage norms used to reinforce political stability.

Power is concentrated within a male-dominated warrior class and patriarchal authority. While Tun Teja is central to the plot, her agency is largely defined by her relationships with male figures.

The production offers authentic representation by centering Malay historical figures and a Malay cast. It avoids whitewashing by focusing on the indigenous identity of the Malacca Sultanate.

The narrative celebrates traditional feudalism and religious orthodoxy. It promotes absolute loyalty to the Sultanate, portraying the established social order as the primary moral baseline.

There is no evidence of characters with visible or invisible disabilities. No such figures are utilized as central plot devices or portrayed with specific agency.