
Taken Away
2014

1988
TV-PGDirector
Gwen Arner
Runtime
96 minutes
Average Rating
No ratings yetSynopsis
Fifteen-year-old Chris Mills isn't too happy with his divorcing parents. In fact, he doesn't want them to split at all, so he hires car repair shop owner -- and former attorney -- Archie Corelli to run interference for him and put a stop to the proceedings. It's a match made in heaven because Chris and Archie both have a deep desire to see the right thing done.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks any evidence of LGBTQ+ characters or non-cisnormative identities. The plot centers on a traditional nuclear family undergoing divorce, reinforcing conventional domestic structures.
Gender Representation
The story focuses on a male protagonist and a male mentor figure. There is little evidence of female agency or the subversion of traditional gender hierarchies.
Racial & Ethnic Diversity
The narrative provides no information regarding the racial or ethnic identities of the cast. It follows a standard Western domestic drama framework without specific cultural markers.
Religious & Cultural Diversity
Themes center on preserving the traditional family unit and Western values. The plot suggests a restorative approach to social structures rather than a systemic critique.
Disability Representation
There is no mention of characters with visible or invisible disabilities or neurodivergence. The focus remains strictly on the interpersonal complexities of a divorce.
Strengths
Areas for Improvement
AI Analysis
Necessary Parties is a conventional domestic drama that relies on traditional storytelling tropes. The narrative architecture is built around a male-centric mentorship dynamic and the preservation of a standard family structure. The film lacks intersectional depth, offering no clear representation of LGBTQ+ identities, diverse racial backgrounds, or characters with disabilities. The central conflict is driven by male characters attempting to navigate a traditional family crisis. Ultimately, the work functions as a standard Western drama. It prioritizes the restoration of traditional social units rather than exploring progressive or systemic narrative frameworks.

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